Corner Bathroom Mirror

shimenawa eight million kami, sacred rope


Here is another example of the concept of nature in sacred Shinto , religion essentially pantheistic (God is everything and everything is God). Just as the
Torii, that is the portal to the gods (or ascension to the upper floors), can be found everywhere, as a gateway to the temple or in the middle of nature, including the American String shimenawa or may be almost everywhere, due to the horizontal part of a torii, or in nature, such as suspended between two rocks and the sea ..
It consists of a braid of rice straw, which are hung strips of paper (the so-called Gohei). And, like the mirror, the shimenawa is a representation of divinity.

Source: Wiki, Shinto (Sacred Rope)

Please also read an interesting blog post Samurai73 .

The photo above is taken by " smaku " on Flickr, Creative Commons license.

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One of the most characteristic symbols of the Shinto religion is undoubtedly the mirror.
I find it absolutely amazing (and deep) the concept of the mirror is associated with the deity. In Japan
the kamidana, the votive altars to kami, or Shinto deities, not a statue but rather are represented .. from a mirror! I mention this magnificent
definition (taken from INTK forum, post "The Symbols of Shinto Mirror " ):

" The mirror hides nothing, it shines without a selfish mind, inevitably reflects everything good or bad right or wrong. The mirror is the source because it has the virtue of honesty to respond depending on the shape of objects. It reveals the rightness el 'impartiality of the divine will. "

The deity is then is a mirror, because it reflects more faithfully and imparziabilmente all things, is always honest, fair, impaziale.

It is also true that ( cited by Wiki - Shinto ) :

" is very common indeed, particularly in modern Shinto, the use of a mirror to represent the deity. This is the best representation that could be modern man to understand a concept so profound. The mirror is in fact an indication that everything is reflected by its embodiment and manifestation of the gods. "

And this is linked to the pantheistic conception of the beautiful world that God is All, the kami are everything and everything is a kami, or sacred, and everything reflects that it is a landscape or even ourselves, is a manifestation divine.

The photo above is taken by " Starfires " on Flickr, Creative Commons license.

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Torii divine mirror, the gates to heaven

Torii, a symbol of Shinto, the religion spread throughout Japan.
Fantastically light and elegant, represent a gateway to a sacred area , which may be the entrance to a Shinto shrine (Jinja), or access to a natural area, water or a forest: it is precisely because of this religion to consider not only the sacred temple, but all of nature, its elements and its manifestations.

simple construction consists of two vertical columns and horizontal pole at the top, traditionally painted in red color and made of wood or stone.
Pass under a torii is an early form of purification , whose care is very important to the Shinto.

"It represents the eternal interaction, since identification of the human world with the divine world. Torii Crossing a means to revitalize and renew the spiritual senses of continuous participation in the life, the entire universe and his own subjective existence. "
(source Wiki )

Torii Tori is composed of the word, which means" bird "with the addition of the final. This is because it is believed that originally they had been of support where to put the birds (and therefore an aviary), animals held in high regard as they are considered the bridge between Heaven and Earth, or between the human and the divine.

Legend has it that the sun goddess Amaterasu hid in a cave to escape his brother Susanoo and the world fell eclipse. Then the goddess to attract people out of the cave and built the first torii you settle on many birds, singing about the Goddess, curiously, looked out far enough so that the other gods pushed off the cave to allow the sun to come back to illuminate the Earth.

The above photoes are taken by " Ehnmark ", "Des Jardin Molly "And" jpellgen "on Flickr, Creative Commons license.

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Instead of Paola / She born in Milan
lives and works in lives and works in Turin and Milan

anziche@yahoo.it

Training / Education

2000 - 2004 Städelschule, Staatliche Hochschule für Bildende Künste, Meisterschülerin, Frankfurt am Main
1996 - 1999 Accademia di Belle Arti di Brera, Milan

Solo Exhibitions / Solo Exhibitions 2010 Greater

Turin. Instead Paolo - Paolo Piscitelli, Fondazione Sandretto Re Rebaudengo, Turin, curated by Irene Calderoni, Maria Teresa Roberto, Giorgina Bertolino
2009 Tapis-à-porter, Careof, curated by Francesca Pasini, Milan 2008
Flash out, Baroni Studio Associates Design, Milan
2007 The functional fake objects, Placentia Arte, Piacenza 2003
Abend Film: Paola Instead, Abteiberg Museum, curated by Veit Loers, Moenchengladbach
Exchange 2001. White Cube project, project / project by Elmgreen & Dragset, Städelschule, Frankfurt / Main

Group Exhibitions / Group Exhibitions 2010


White Night, City of Skopje - Youth Cultural Centre, Skopje, Republic of Macedonia
The Compass Tin , Bovisa Triennale, curated by Stefano Mirti, Alessandro Guerriero, Milan
Nature and fate, Riccardo Crespi Gallery, Milan
2009 Opening of the Esperia Ballet meets contemporary art, curated by Search Short Sleeve Riding Lisa Reale, Turin
Meteorite in the garden, curated by Maria Centonze, Fondazione Merz, Turin
Sans les murs. Le complexe de Rittberger, Glassbox, Cité Internationale Universitaire de Paris
2007 Leap Into the Void. Proposals XXII curated by a.titolo, Accademia Albertina, Torino
It Takes Something to Make Something, Die Sammlung Rausch, Portikus, Frankfurt am Main 2005
XII Biennial of Young Artists from Europe and the Mediterranean, Castel Sant 'Elmo, Naples
Lido, a project / project by Anny & Sibel Öztürk, Kunsthalle, Düsseldorf 2004
Fact or Faith, Kunsthaus Kloster Gravenhorst, Hörstel
International Meeting of Photography, George Papzoff Art Gallery, Plovdiv
Fin, graduates, Stadel Museum, Frankfurt am Main
2003 Soffio, tour Städelschule, Frankfurt am Main
showroom, Townhouse Gallery, Munster
festival of young talents, Alpha Channel, Offenbach
2002 Work in Progress Via B. Marcello 6, curated by Roberto Pinto, Milano
Open studio / tour, Städelschule, Frankfurt am Main
2001 Class Christa Näher, Frankfurter Kunstverein, Frankfurt am Main
1999 Artwork Shop con, John Armleder, Casino Luxembourg, Luxembourg
Worhshop and lectures
2010 camera14 workshop for teenagers from 14 years, Kustverein Dortmund, Dortmund
Ingombri workshop for adults, Fondazione Sandretto Re Rebaudengo, Turin
Soft-Landscape workshop with NABA students, Fuori Salone del Mobile, Triennale Bovisa Milan


Press, 2010 Residenze-Awards/Residencies

Pact Zollverein, Essen
2009 Cité Internationale Universitaire de Paris, Fondation Biermans-Lapôtre, Paris
2008 residency program, Passport Project, City of Turin, UniCredit Private Banking, Fondazione Spinola Banna per l'Arte, Organized by Dena Foundation for Contemporary Art, Centre International d'Accueil et d'Echanges Recollets des, Paris.
2007 Workshop with Eva and Marisaldi and Tobias Rehberger, Fondazione Spinola Banna per l'Arte, Poirino
Workshop Proposals XXII with Stalker, curated by a.titolo, Torino
VideoIT-Prize, an award Artegiovane, Torino 2004
The Galileo Workshop Studio, Kunsthaus Gravenhorst, Hörstel
Prize Award-Moving up - Mobility, JHA
Torino Workshop Vitra Design Museum, Boisbuchet
2001Workshop Real Presence / SKC, Belgrade
2000 Erasmus Städelschule, Frankfurt am Main
1999 Artworkshop with with John Armleder, Casino de Luxembourg, Luxembourg

Lectures and workshops

2010
Artist's presentation and screening, Paola Instead , by Luigi Fassi and Placentia Art Collection From Nogare Antonio, Bolzano
camera14-workshop für Jungendliche ab 14 Jahren, Dortmunder Kustverein, Dortmund
Dimensions-workshops for adults, Fondazione Sandretto Re Rebaudengo, Turin
Soft-Landscape workshop with NABA students, Fuori Salone del Mobile, Triennale Bovisa Milan


Video Festivals


Optica Festival 2008 , Madrid - Gijon
TTV Riccione, Italy Competition 2008, Riccione
FestArte, Rome Video IT award Artegiovane, Torino
2005VideofestivalACCEA/NPAK, Yerevan


Bibliography / Catalogues

2010
Irene Calderoni, Chronophilia, p.. 10-31 Greater-Torino, Paola Paolo Piscitelli Instead, Fondazione Sandretto Re Rebaudengo
Chiara Bertola, Nature and Destiny, shows collective, Riccardo Crespi, Milan
2007 Francesca Comisso pag.90-95, Leap Into the Void, XXII Proposals, by a.titolo, Torino
Die Sammlung Rausch, pag.167, 220, 250, Portikus, Frankfurt am Main
2008 Video.It 9 - The object of the design environment, Young Art, Turin. Spaced Out
2003 Elmgreen & Dragset, p.. 24 to 25, Portikus, Frankfurt am Main
Since 2004, Abschlussausstelluntg der Städelschle, 2004 Staedelmuseum, Frankfurt am Main 2002
Demostation, Rirkrit Tiravanija, p. 15, Portikus, Frankfurt / Main

Artist publications / publications Artist

Compositions 2007, b / w, 1000 copies
The Functional Fake objects, color, 1000 copies

Articles

2010
Alessandra Sandrolini, "Shopping-t", lovely daze, Magazine, Lisa issue7
Word, "The city that turns, Torino7, 29.01.10
Renato Rizzo, The Art Young in Turin, "The Press, 31.01.10
Francesca Picchi, Dimensions / Encumbrances, Domusweb, 2009 20:03:10
Francesca Pasini," Dancing with the art, "Linus, November 2009
" entanglement rather than in Meteorite Garden to Merz, Torino7, La Stampa, 08/31/2009 Lisa
Word, "to appear rug and hide," Torino7, La Stampa, 20:03:09
Instead Paola and Francesca Picchi, "Insecurity in architecture", Domus 926, pp.63-64
Francesca Picchi, "Tapis-à-porter, the vision of an organic architecture in the artistic Instead of Paola", Domus 924, pp. 82 to 85
2008 Alessandro Guerriero, "Furniture of the body, Made 05, No
26 2007 Devrim Bayar, "I'm Not a Plastic Bag", Code Magazine, No 5 Sandra Danicke
2006, "die Kleider Zwiebeln gebären" Art Kaleidoscope, Heft 1 / 06, Jan / April 06, pp. 62 to 65
2005 Ixtaso Diaz, "Etec, No Cover 6, p. 53
2001 Gabriele Nicol, "In Städel spielt die Fantasie" Frankfurter Rundschau 17:02:01
Dorothee Baer-arm protection, "A white cube for the chaos," Faz.net
2000 exchange students Städelschule ", Frankfurter Rundschau
Fill each for three days the White Cube", Frankfurter Rundschau, 09.12. 00
"KCD, International Nachwuchskunstler", Frankfurter Allgemeine, 07:12:00

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The Pope and the Patriarch of the West

Pope Leo I the Great

today I come to the attention of eight titles with which you can refer to the Holy Father (as reported Pontifical Yearbook of 2006):

• Bishop of Rome, Vicar of Jesus Christ
• ,
• Successor of the Prince of the Apostles, Supreme Pontiff of the Church
• universal ,
• Primate of Italy, Archbishop and Metropolitan of the
• Roman Province,
• Sovereign State of Vatican City,
• Servant of the Servants of God

missing the fifth of nine historians, including the "Supreme Pontiff" and "Primate of Italy, which by Pope Leo I the Great to Benedict XVI from the fifth century at the dawn of the twenty-first century, was given, or the title of "Patriarch of the West , just deleted from the Pope in 2006.

pity that there is no more, because in my opinion important to fellowship with the Orthodox, as the Pope, in the light of the early centuries of Christianity, the fact of being bishop of Rome, home founded by the Apostle Peter , equal in importance to the other patriarchs of the East, where it is right to ask, who is in communion, as the patriarchs are among them.

The official reason seems to have fallen because they considered the concept of "the West" as it was originally in the first millennium, the West between the Holy Roman Empire and the Eastern Byzantine Empire. If so then would suggest the title "Patriarch of Rome, not for glory but for unity of Cristinesimo.

Source, The Courier, The Pope is no longer "Patriarch of the 'West'

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Patriarchs of Rome and Constantinople

Bartholomew I, Patriarch Constantinople

Benedict XVI, "Patriarch of Rome "

Of the five patriarchs historical origin of Christianity, of Jerusalem, of Antioch of Alexandria of Rome and Constantinople , the last two, for various historical and political reasons, have taken the lead.
I would like to see them, like, no one dominates the other but united witness to the Christian message. So even the two apostles (and brothers) Simon Peter and Andrew , one became the first bishop of Rome and the second founder of the episcopal see to Byzantium and Constantinople, must focus on the other. So even the two rites, one Latin and the other greek. So also the question of the Trinity, if the Holy Spirit descends from the Father alone (ex patre procedit here, as I believe in Orthodox) or down from the Father and the Son ( ex patre filioque procedit here, as in Catholicism) theological issues that should not become swords of his ego, but personal opinions which is not the only commandment that Jesus gave us:

I give you a new commandment:
that you love one another as I have loved, so
you also love one another.
By this all men will know that you are my disciples,
if you have love for one another

(John 13: 34-35)

photo of Benedict XVI, Creative Commons Attribution 3.0 License, www. kremlin.ru ( details )
Photo by Bartholomew I, the Creative Commons Attribution 3.0 License, Massimo Finizio ( details )

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Joachim of Fiore

In this era where you feel strongly that the spirit of millenarian " end of the world", either for the messages of Our Lady's apparitions in Medjugorje monthly, you for today new age followers who identify in some Mayan prophecy (which is not a prophecy but an end of the calculation of the calendar) in 2012 as a turning point, I naturally turn to the past and consider the thought of millenarian distinguished theologians of the Middle Ages.

Among these, Joachim of Fiore (1130-1202), the Calabrian abbot and theologian, developed his thought in a period of history after one thousand years, when it was realized that the expectation of the imminent descent of the Messiah and the second the subsequent resurrection and Final Judgement should be turned back in history. He did
Joachim of Fiore in his theology of history in the "three ages of earthly history, "arguing that there was a time when he worked mainly on Father (where God revealed Himself in the Old Testament), then the time has operated mainly on Son (which inspired the New Testament ), and finally the modern times in which it operates mainly Holy Spirit (which is to begin by Gioachino 1260).
More precisely (source Wikipedia ):

• Age of the Father: the narratives of the corresponding Testament, extended in time from Adam to Uzziah king of Judah (784-746);
• Age of the Son: represented by the Gospel and including the advent of Jesus, extended in time from 1260 until Uzziah;
• Age of the Holy Spirit : extended in time from 1260 until the end of the "sabbatical millennium," or that period in which humanity through a life lived in an atmosphere of purity and freedom would have had more grace.

no surprise that the era we live in is the era of the Holy Spirit, as mentioned in the Gospels, Jesus Christ after his resurrection he breathed the Holy Spirit upon the Apostles so that they could operate in his name and our Father:

the evening of that same day, the first of the week, while the doors were locked the place where they were disciples for fear of the Jews, Jesus came and stood among them and said, "Peace be with you." He showed them his hands and his side. The disciples rejoiced when they saw the Lord. Jesus said to them again, "Peace be with you As the Father has sent me, so I send you." Having said this, he breathed on them and said, "Receive the Holy Spirit: whose sins are forgiven and who does not forgive them, are retained" . (John, 20, 19-23)

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You are The

The revelation of Jesus Christ is one of the most revolutionary messages that have been delivered to the world. And 'when the revolutionary challenge the hypocritical Pharisees performing miracles in the days of the Jewish Sabbath (as if the miracles were banned on Saturday .. by whom? Was not done on Saturday for man and not man for the Sabbath?).
Among them, the statement "you are gods " (John 10:34) which is also the title of a book by philosopher Mikhael Omraam Aïvanhov , that just by reading the Gospel of John drew inspiration for his spiritual teachings.
for Jesus is surprised that it is possible that the Pharisees scandalizzino much of his statement that "the Son of God, when God himself, the Bible says they will have of those who have received the word of God our Father ...

The Jews took up stones again to stone him. Jesus replied: "I have shown you many good works from my Father; for which of these do you stone me?". The Jews answered him: "For a good work we stone thee not, but for blasphemy, because you, being a man, make yourself God." Jesus said to them: "Is it not written in your law, I said you are gods? Now if he called them gods, those to whom the word of God came (and Scripture can not be undone), the one who the Father consecrated and sent into the world, 'You are blaspheming, because I said I am the Son of God? If you do not do the works of the Father I do not believe me, but if I do, even if you do not believe me, believe the works, that ye may know and understand that the Father is in me and I in him. "They tried to take it back then, but he escaped their hands.
Jn, 10.31 to 39

The photo above is taken by " reurinkjan " on Flickr, Creative Commons license.